The timing feels right. The album sits in a rare pocket — rooted in boom bap but expanded through thoughtful sound selection and a clear album arc, not just singles made for quick consumption. Across 36 minutes, hard, intricate drums meet warm, melodic funk, creating space for the vocals to lead while still giving the music depth and movement.
This isn't just rappers spitting bars. There's intentional musicality, a sincere consideration of the listener's path, and care behind every moment. In the writing process, the lyrics just fell out the mouth — raw, unforced, reflective, and honest — and every verse is packed with good medicine.
It's the kind of record that, with focused listening, can walk you from the streets that helped build us, to where we are, and toward where we're trying to go. It reveals more over time…
In addition to Open Hands and Diversoul, this project was recorded in Portland, OR, and shaped by a trusted circle of producers and engineers who brought depth, intention, and craft to every layer:
Phreewil — Producer, Hawaii
Provides the rhythmic heartbeat with soulful, hard-hitting instrumentation grounded in boom bap tradition. A prolific emcee himself, he knows how to cook up beats exactly the way rappers and audiences like 'em.
Mike Day — Producer & Studio Musician, Northern California
A quiet musical genius with broad experience and deep musicality. His work is rooted in rich, organic jazz, soul, and funk soundscapes, with a sharp ear for instrumentation and selection. Keepin' your head noddin' — that's all the affirmation he needs.
Anthony Natale — Executive Producer, Portland
Our day one. He saw the vision and helped bring it to life. His steady support and belief in the project made this album possible.
Andy Shartle — Recording & Mix Engineer, Kagami Studio, Portland
Helped capture and shape the foundation of the album, turning raw ideas into cohesive records with clarity and intention.
John Keenen — Mastering Engineer, JCK Music Productions, Phoenix
Brought the final polish, ensuring the album hits with both knock and clarity across any system you're listening on.
